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建筑賞析|武漢千子山垃圾焚燒發(fā)電廠(chǎng)

發(fā)布于：2025-06-28 03:49:04

首頁(yè)/技術(shù)分享/建筑賞析

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武漢千子山垃圾焚燒發(fā)電廠(chǎng)第1張圖片

△ 武漢千子山垃圾焚燒發(fā)電廠(chǎng) ©直譯建筑攝影

在武漢西南郊的丘陵地帶，坐落著千子山垃圾焚燒發(fā)電廠(chǎng)。其主廠(chǎng)房的建筑方案由UUA設(shè)計(jì)合伙人李泳征與管理合伙人李其郅共同主持。本項(xiàng)目中，建筑師以一種特有的視角介入到設(shè)計(jì)全程，探索并呈現(xiàn)了工業(yè)建筑的新可能性。

Located in the hilly terrain of southwest Wuhan suburbs sits the Qianzishan Waste-to-Energy Power Plant. The architectural design of its main facility was led by UUA Design Partner Yongzheng Li and Managing Partner Qizhi Li. In this project, the architects engaged the entire design process with a unique perspective, exploring and presenting new possibilities for industrial architecture.

01
背景：工業(yè)建筑的設(shè)計(jì)迭代
Background: Iterative Design of Industrial Architecture

傳統(tǒng)的垃圾焚燒發(fā)電廠(chǎng)可理解為一個(gè)功能性產(chǎn)物，亦或是工程師產(chǎn)物，其廠(chǎng)房?jī)H以滿(mǎn)足外圍護(hù)邊界為主要目的。在長(zhǎng)期形成的慣性中，工業(yè)的生產(chǎn)過(guò)程與大眾的日常生活涇渭分明，而這兩者之間所蘊(yùn)含的潛在關(guān)聯(lián)未能得到充分發(fā)掘。

不難理解，大眾對(duì)于工業(yè)生產(chǎn)是抱有好奇心的；同時(shí)，生產(chǎn)企業(yè)也希望敞開(kāi)大門(mén)，增進(jìn)大眾的了解、信任與支持。這種相向而行的力量，催成了UUA的建筑師團(tuán)隊(duì)與工業(yè)設(shè)計(jì)院的工程師團(tuán)隊(duì)的合作，使得工廠(chǎng)的形式與功能形成了雙向互動(dòng)。為了整體的設(shè)計(jì)概念、美學(xué)效果和參觀(guān)流線(xiàn)，建筑師從內(nèi)至外統(tǒng)籌空間布局，創(chuàng)造出更具美學(xué)價(jià)值和社會(huì)效益的工業(yè)建筑。

Traditional waste-to-energy plants can be understood as functional or engineer-driven outcomes, with their structures serving merely as protective enclosures. Over time, industrial processes and public daily life have remained strictly separated, leaving their inherent connections underexplored.
Public curiosity about industrial production coexists with manufacturers' desire to foster transparency, understanding, trust, and support. This mutual impetus drove the collaboration between UUA's architects and industrial engineers, creating a bidirectional interaction between form and function. To integrate holistic design concepts, aesthetic effects, and visitor circulation, the architects orchestrated spatial layouts from the inside out, crafting industrial architecture with enhanced aesthetic value and social significance.

武漢千子山垃圾焚燒發(fā)電廠(chǎng)第2張圖片

△ 園林式工業(yè)園區(qū) ©直譯建筑攝影

02
概念：機(jī)器藝術(shù)的揭幕
Concept: The Unveiling of Machine Art

“我們看待事物有不同的角度，機(jī)器是工具還是藝術(shù)，僅在一念之間。在本項(xiàng)目中，我們將機(jī)器視作凝聚人類(lèi)智慧的藝術(shù)品，為其打造具有尊嚴(yán)的運(yùn)行空間。”

——李泳征

機(jī)器是工業(yè)建筑的核心，它特有的功能與效率，理性與邏輯，集中展現(xiàn)了人類(lèi)智慧，形成了一種獨(dú)特的美學(xué)體驗(yàn)。基于這種‘機(jī)器美學(xué)’的觀(guān)念，我們將發(fā)電廠(chǎng)的機(jī)器設(shè)備視作一組精美的‘藝術(shù)品’。項(xiàng)目的設(shè)計(jì)概念受到‘藝術(shù)品發(fā)布會(huì)’的啟發(fā)，當(dāng)藝術(shù)品揭幕那一刻，人們的期待與興奮達(dá)到頂點(diǎn)。本項(xiàng)目在建筑形式上試圖營(yíng)造這樣一種時(shí)刻。

“Perspective defines our interpretation—whether machinery is perceived as tools or art hinges on a shift in mindset. Here, we treat machines as artworks embodying human ingenuity, crafting dignified operational spaces for them.”

—Yongzheng Li

Machines form the core of industrial architecture. Their functional precision, efficiency, rationality, and logic collectively manifest human intelligence, creating a unique aesthetic experience. Guided by this ‘machine aesthetics’ philosophy, we reinterpreted the plant's machinery as refined ‘a(chǎn)rtworks’. Inspired by the suspense of an ‘a(chǎn)rt unveiling ceremony’—when anticipation and excitement peak—the architectural form captures this climactic moment.

武漢千子山垃圾焚燒發(fā)電廠(chǎng)第4張圖片

△ 建筑東北角揭開(kāi)的“帷幕” ©直譯建筑攝影

廠(chǎng)房上部的建筑表皮采用柔美動(dòng)感的形式，猶如一張正在揭開(kāi)的‘帷幕’，將廠(chǎng)房?jī)?nèi)部的機(jī)器作為‘藝術(shù)品’，透過(guò)清澈的玻璃幕墻展示給到訪(fǎng)的公眾。

The upper facade adopts a soft, dynamic form resembling a lifted ‘curtain’, revealing the internal machinery as ‘exhibits’ through transparent glass walls to visiting publics.

武漢千子山垃圾焚燒發(fā)電廠(chǎng)第5張圖片

△ 透過(guò)清澈的玻璃幕墻展示內(nèi)部空間 ©直譯建筑攝影

△ 廠(chǎng)房?jī)?nèi)部空間 ©直譯建筑攝影

廠(chǎng)房主入口采用中軸對(duì)稱(chēng)布局，并通過(guò)上寬下窄的收分處理，營(yíng)造出一種儀式感，預(yù)示著即將進(jìn)入機(jī)器的圣殿。

The main entrance features a symmetrical layout with tapered proportions, creating a solemn ceremonial feel as it leads into the ‘sanctuary of machines’.

武漢千子山垃圾焚燒發(fā)電廠(chǎng)第8張圖片

△ 廠(chǎng)房主入口 ©直譯建筑攝影

03
細(xì)部：實(shí)現(xiàn)設(shè)計(jì)概念的技術(shù)路徑
Details: Technical Realization of Design Concepts

‘帷幕’位于廠(chǎng)房上部，采用點(diǎn)式玻璃幕墻體系，由上至下包含6個(gè)疊退的層次，水平方向?yàn)轺[片式玻璃板塊搭接，形成織物褶皺一般的肌理。‘鱗片’材質(zhì)選用淡綠色釉面玻璃，表面鍍有鏡面點(diǎn)陣涂層，通過(guò)強(qiáng)反射與弱反射的疊加，將周邊環(huán)境以‘絲網(wǎng)印刷’的質(zhì)感映襯在建筑表皮上，形成迷幻的光影。

The ‘curtain’ on the upper facade employs a bold fixed glazing system, cascading downward through six stepped layers. Horizontally overlapping scale-like glass panels create fabric-like folds. The ‘scales’ use pale green fritted glass with dot-matrix mirror coatings, superimposing strong and weak reflections to project surroundings onto the facade with a ‘screen-printed’ texture, generating psychedelic light interplay.

武漢千子山垃圾焚燒發(fā)電廠(chǎng)第9張圖片

△ 廠(chǎng)房上部墻身大樣 ©UUA

△ 鱗片式玻璃幕墻細(xì)部 ©UUA

△ 鱗片式玻璃幕墻 ©直譯建筑攝影

△ 玻璃幕墻隱約映射周邊的環(huán)境 ©直譯建筑攝影

廠(chǎng)房裙房部分采用雙層表皮，兼顧開(kāi)窗的靈活性與立面的整體性。內(nèi)層表皮為氣候邊界，由波浪形鋁鎂錳板和玻璃幕墻組成，根據(jù)內(nèi)部功能需求靈活開(kāi)窗。外層表皮采用半鏤空式鋁板幕墻，滿(mǎn)足消防與通風(fēng)需求，并以三角折板為基本單元，形成彎折起伏、明暗交替的節(jié)奏感，亦有織物一般的肌理。

The podium utilizes a double-skin facade balancing window flexibility and elevation integrity. The inner skin serves as a climate barrier with aluminum and glass curtain walls, incorporating functional requirements. The outer skin features semi-enclosed aluminum claddings meeting fire evacuation and ventilation needs. Triangular folded plates form rhythmic undulations with alternating light/shadow, echoing textile textures.

武漢千子山垃圾焚燒發(fā)電廠(chǎng)第15張圖片

△ 裙房主入口墻身大樣 ©UUA

△ 三角折板幕墻細(xì)部 ©UUA

△ 裙房半鏤空的三角折板幕墻 ©直譯建筑攝影

煙囪高度110余米，是整個(gè)廠(chǎng)區(qū)的制高點(diǎn)。其表皮采用四棱錐形的鋁板單元，并通過(guò)局部穿孔的方式，形成螺旋上升的線(xiàn)條，似乎具備了一種神圣的紀(jì)念性。

The 110-meter-high chimney, the site's pinnacle, is clad in quadrangular pyramid-shaped aluminum panels with localized perforations to create spiraling ascending lines, imbuing sacred monumentality.

武漢千子山垃圾焚燒發(fā)電廠(chǎng)第19張圖片

△ 煙囪墻身大樣 ©UUA

△ 煙囪幕墻細(xì)部 ©UUA

△ 螺旋肌理的煙囪 ©直譯建筑攝影

△ 北立面圖 ©UUA

△ 東立面圖 ©UUA

04
結(jié)語(yǔ): 從服務(wù)生產(chǎn)到美化生活
Summary: From Serving Production to Beautifying Life

在項(xiàng)目啟動(dòng)的2019年之前，整個(gè)場(chǎng)地曾是一片生態(tài)退化、水土流失的廢棄采礦區(qū)。經(jīng)歷5年的蛻變重生，這里成為華中地區(qū)最大的循環(huán)經(jīng)濟(jì)產(chǎn)業(yè)園，更是對(duì)周?chē)匀画h(huán)境產(chǎn)生了良好的反哺。

作為園區(qū)核心的主廠(chǎng)房建筑，其形式所反映的內(nèi)核，是對(duì)固廢焚燒發(fā)電流程的開(kāi)放性以及對(duì)工業(yè)機(jī)器美學(xué)的自信。建筑學(xué)價(jià)值觀(guān)的導(dǎo)入讓廠(chǎng)房與機(jī)器擁有了溫度，實(shí)現(xiàn)了工業(yè)建筑從‘服務(wù)生產(chǎn)’到‘美化生活’的躍遷。

Before the project's 2019 commencement, the site was an ecologically degraded, eroded abandoned quarry. After five years of transformation, it has become Central China's largest circular economy industrial park, generating regenerative impacts on surrounding nature.
As the park's centerpiece, the main plant's design reflects openness toward waste-to-energy processes and confidence in industrial machine aesthetics. By infusing architectural values, the facility and its machinery gain warmth, transcending industrial architecture from ‘serving production’ to ‘beautifying life’.

武漢千子山垃圾焚燒發(fā)電廠(chǎng)第25張圖片

△ 從“服務(wù)生產(chǎn)”到“美化生活”的躍遷 ©直譯建筑攝影

項(xiàng)目信息：
項(xiàng)目名稱(chēng)：武漢千子山垃圾焚燒發(fā)電廠(chǎng)
項(xiàng)目地點(diǎn)：武漢 . 湖北 . 中國(guó)
項(xiàng)目規(guī)模：54,000 ㎡
日處理量：3,000噸
項(xiàng)目業(yè)主：武漢千子山能源有限公司
項(xiàng)目年份：2019-2025
建筑設(shè)計(jì)：UUA建筑師事務(wù)所
UUA主持合伙人：李泳征，李其郅
UUA設(shè)計(jì)團(tuán)隊(duì)：賀文博，王發(fā)路，呂延鋒，鄧亮，夏渤洋，馬興華
主體設(shè)計(jì)單位：中冶南方都市環(huán)保工程技術(shù)股份有限公司
主體設(shè)計(jì)單位主要負(fù)責(zé)人：聶永俊、姚明志、李敏、徐新宇、鄧小軍
主體設(shè)計(jì)單位主要完成人：馮永輝、葉智、郭健瑋、吳迪、徐嬌、陳抒、陳念
施工總包：中建三局集團(tuán)有限公司
攝影：直譯建筑攝影

Project Info：
Project Name: Wuhan Qianzishan Waste-to-Energy Power Plant
Location: Wuhan, Hubei, China
Gross Floor Area: 54,000 m2
Daily Waste Processing Capacity: 3,000 tons
Client: Wuhan Qianzishan Energy Co., Ltd
Project Date: 2019-2025
Architects: UUA (United Units Architects)
UUA Partners in Charge: Yongzheng Li, Qizhi Li
UUA Design Team: Wenbo He, Falu Wang, Yanfeng Lyu, Liang Deng, Boyang Xia, Xinghua Ma
LDI: CCEPC (China City Environment Protection Enginnering Limited Company)
CCEPC Management Team: Yongjun Nie, Zhiming Yao, Min Li, Xinyu Xu, Xiaojun Deng
CCEPC Executive Team: Yonghui Feng, Zhi Ye, Jianwei Guo, Di Wu, Jiao Xu, Shu Chen, Nian Chen
Main Contractor: China Construction Third Engineering Bureau
Photos: Archi-translator

來(lái)源：本文由UUA建筑師事務(wù)所提供稿件，所有著作權(quán)歸屬UUA建筑師事務(wù)所所有。

本文版權(quán)歸腿腿教學(xué)網(wǎng)及原創(chuàng)作者所有，未經(jīng)授權(quán)，謝絕轉(zhuǎn)載。