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磚窯廢料逆襲成豪宅！印度周末別墅用“回收垃圾”砌出藝術(shù)墻

發(fā)布于：2025-09-19 12:03:08

首頁(yè)/技術(shù)分享/建筑賞析

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磚窯廢料逆襲成豪宅！印度周末別墅用“回收垃圾”砌出藝術(shù)墻第1張圖片

sangath工作室用回收的磚塊和陶土在印度alloa hills打造藝術(shù)家的庇護(hù)所
studio sangath uses recycled brick and terracotta to shape artists' refuge in india's alloa hills

由專筑網(wǎng)李德潤(rùn)，小R編譯

sangath工作室以庭院為指引

位于印度甘地訥格爾郊外的alloa hills周末別墅，其建筑形態(tài)自然地融入地勢(shì)，順應(yīng)地形變化形成了獨(dú)特韻律。sangath工作室以靜謐專注的態(tài)度著手這個(gè)住宅項(xiàng)目，設(shè)計(jì)出一處?kù)o居之所，并與周圍地形和諧共存。別墅坐落于薩巴馬蒂河的河灣之中，不僅為居住者提供了逃離城市快節(jié)奏生活的休憩之所，也為尋求創(chuàng)作靈感的藝術(shù)家、作家和電影制作人提供了休憩的平臺(tái)。

這座磚瓦住宅的核心是一個(gè)庭院，它既劃分了建筑空間，又連接著內(nèi)部空間。內(nèi)花園將地平線引入室內(nèi)，使得自然變得更加貼近生活，而非遙不可及的景致。這種空間布局向外延伸至錯(cuò)落有致的露臺(tái)，露臺(tái)與周圍地形融為一體，旨在滿足夜晚到非正式表演的活動(dòng)需求。Sangath工作室的設(shè)計(jì)讓住宅以開(kāi)放的姿態(tài)迎接景觀，消解了人與風(fēng)景之間的隔閡。

studio sangath’s Courtyard as Compass
Just outside Gandhinagar, India, the Alloa Hills Weekend House folds gently into the land, allowing the terrain to dictate its rhythm. Studio Sangath approached the residential project with quiet attentiveness, designing a retreat that prioritizes stillness and intimacy with the surrounding topography. Tucked into a bend in the Sabarmati River’s landscape, the house offers its residents a reprieve from the acceleration of city life, but also extends its welcome to artists, writers, and filmmakers seeking time away to create.
At the core of the brick and terracotta residence is a courtyard that both pides and anchors the interior spaces. The inner garden draws the horizon inward, reframing nature as a constant companion rather than a distant view. This spatial arrangement extends outward into a stepped terrace that spills into the surrounding terrain, intended to host everything from quiet evenings under the sky to informal performances. Studio Sangath’s design orients the home to receive the landscape with open arms, dissolving barriers between shelter and scenery.

磚窯廢料逆襲成豪宅！印度周末別墅用“回收垃圾”砌出藝術(shù)墻第2張圖片

images © Vinay Panjwani

用回收的泥土建造的房子

Sangath工作室的建筑師在設(shè)計(jì)alloa hills周末別墅時(shí)，在材料的選擇上充分考慮了自然環(huán)境。團(tuán)隊(duì)首先從回收磚窯廢料制成的壓縮磚入手，賦予建筑結(jié)構(gòu)以觸感，并將項(xiàng)目與周圍環(huán)境完美融合。

寬闊的走廊環(huán)繞著房屋，在封閉與開(kāi)放之間尋找平衡。這些灰空間柔化了建筑的邊界，當(dāng)門(mén)敞開(kāi)時(shí)，房屋仿佛變成了一座靜謐的亭閣，空氣和光線在各個(gè)房間中暢通無(wú)阻。清晨的光線柔和地灑入室內(nèi)，傍晚的光線從內(nèi)部拂過(guò)庭院，營(yíng)造出一種隨著時(shí)間推移而變化的光影變化。

a house shaped by Recycled Earth
Designing its Alloa Hills Weekend House, the architects at Studio Sangath choose materials with consideration for the natural context. Beginning with compressed bricks composed of recycled brick kiln waste, the team brings a tactility to the structure and grounds the project in its environment. This thoughtful approach lends a sense of stewardship to the project, as the walls themselves seem to speak to the layers of earth they emerged from. The result is a home whose material story resonates with the cycles of renewal around it.
Along its longitudinal axis, the home is bordered by wide verandahs that mediate between enclosure and exposure. These shaded galleries soften the edges of the building, giving the living spaces breathing room to interact with sun, wind, and rain without confrontation. When the doors are left open, the home becomes a quiet pavilion, with air and light moving unimpeded through its rooms. Morning enters with a softness, while the evening light brushes the courtyard from within, establishing a rhythm of illumination that changes by the hour.

磚窯廢料逆襲成豪宅！印度周末別墅用“回收垃圾”砌出藝術(shù)墻第3張圖片

▲ Alloa Hills 周末別墅位于印度甘地訥格爾附近
Studio Sangath sites its Alloa Hills Weekend House near Gandhinagar, India

alloa hills的陶土語(yǔ)言

材料的連續(xù)性定義了Sangath工作室設(shè)計(jì)的alloa hills周末別墅的感官體驗(yàn)。從彩色混凝土墻到紅色調(diào)的磚地，再到陽(yáng)光溫暖的鋪路石，赤陶幾乎融入了每一個(gè)表面。這種紋理和色調(diào)的共同語(yǔ)言，讓建筑得以慢慢呈現(xiàn)，建筑師打造的這座住宅，其空間過(guò)渡自然大方，且與這片土地的語(yǔ)言完美契合。

A Language of Terracotta in alloa hills
Material continuity defines the sensory experience of Studio Sangath’s Alloa Hills Weekend House. Terracotta finds its way into nearly every surface, from the pigmented concrete walls to the red-toned brick floors and sun-warmed pavers. This shared language of texture and tone allows the architecture to unfold slowly and cohesively, offering a lingering, tactile warmth. In the Alloa Hills, the architects craft a home that moves with the day, is generous with its thresholds, and is fluent in the language of the land.

磚窯廢料逆襲成豪宅！印度周末別墅用“回收垃圾”砌出藝術(shù)墻第4張圖片

▲ 開(kāi)放式露臺(tái)將內(nèi)部向外延伸，為觀星或小型聚會(huì)創(chuàng)造了空間
the open terrace extends the interior outward and creates space for stargazing or small gatherings

▲ 中央庭院將周圍的景觀帶入住宅的中心
a central courtyard brings the surrounding landscape into the heart of the home

▲ 這座住宅不僅迎接其主人，也歡迎尋求靜謐靈感的藝術(shù)家和創(chuàng)意人士
the home welcomes not only its owners but also artists and creatives seeking quiet inspiration

▲ 陽(yáng)臺(tái)提供防曬保護(hù)，同時(shí)促進(jìn)自然通風(fēng)
deep verandahs offer protection from the sun while promoting natural ventilation and shade

▲ 平面圖
floor plan

▲ 軸測(cè)剖面圖
axonometric section

▲ 軸測(cè)圖
axonometric

項(xiàng)目信息：
項(xiàng)目名稱：阿洛阿山周末住宅
建筑事務(wù)所：Studio Sangath
地點(diǎn)：印度甘地訥格爾
首席建筑師：Khushnu Panthaki Hoof、Sönke Hoof
建筑面積：600 平方米
攝影：© Vinay Panjwani）| @panjwani.vinay

project info:
name: Alloa Hills Weekend House
architect: Studio Sangath | @studio_sangath
location: Alloa Hills, Gandhinagar, India
principal architects: Khushnu Panthaki Hoof, Sönke Hoof
built area: 600 square meters
photography: © Vinay Panjwani | @panjwani.vinay

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