項目名稱? 香港中文大學文物館新翼 ( 香港中文大學文物館 – 羅桂祥閣 )

設計單位? 嚴迅奇建筑師事務所（Rocco Design Architects）

項目地點? 中國香港

完成年份? 2025

總建筑面積? 約6,000平方米

本文文字由設計單位提供。

香港中文大學的文物館新翼大樓設計以“起承立新”點題，寓意借新館的形象傳遞“博物館新翼的角色是能夠弘揚華夏文化，承傳中大廣博學問，并作育棟梁”的信息。故此，新館之形態欲呈現嶺南觸峰之勢，由自百萬大道到舊文物館東翼，再到新翼橫空而出，凌駕于山體之上，并融入校園自然環境和地形地貌。

Hong Kong – Connecting the existing CUHK Art Museum, the new proposed Art Museum New Annex took ‘Upon Heritage Stems New Marvels” as its role and seek to convey this message to the students and the public of its mission to continue the heritage of the University, enhance their exposure to Chinese art and nurture their interests in Chinese culture. The Form of the building echoes to this message, transforming itself from the existing building to the new annex and establish a gesture of a rock sitting on the mountain hanging across the sky.

文物館新翼同時希望能夠與校園自然環境和地貌進行對話。在受到中大文物館水墨畫藏品中張大千的《山水四屏》和戴進的《仿馬遠踏歌圖》的啟發后，希望建筑物可以筑構出“石下留蔭”的意境。故此文物館新翼懸空而起，保留現有山坡，使建筑物下方的林蔭得以保留，不被打斷。

The new Art Museum Annex also establishes a conversation to the existing environment. Inspired by the Chinese drawing ‘Shanshui in Four Screens’ by Chang Dai-chien and ‘Echoing with Distant Horses’ by Dai Jin, the main exhibition space is elevated over 12m from the existing slope. Trees could be preserved and integrated into the existing topography to present an artistic atmosphere of ‘tree shades under the rock’.

懸臂結構除了減少對原有地勢的影響以外，還可以滿足文物館對展覽空間的要求。文物館新翼的展覽廳凌空而起，直接銜接舊館的兩個現有的展覽空間，提供流暢的展覽體驗。

The cantilever structure provides a poetic response to the existing site topography. It not only accentuates the artistic conception of the existing topography, but also serves functional needs. By lifting up the main gallery space, it allows a seamless connection between the new gallery and the existing two galleries, facilitating a fluid exhibition flow.

文物館新翼的空間流線利用了大樓內的特色樓梯，把北面的百萬大道輕松連接到南面的大學道和大學城，形成一道“文化快捷方式”，從而方便穿梭于百萬大道和大學道的人流經多功能大堂、特色樓梯、新舊展覽空間，成為感受中華文化的氣質和藏品的受眾。

The new extension also introduced a “strategic shortcut” via a grand staircase on the side of the new Annex Building to establish an effortless connection linking the University Avenue and the University Mall. This cultural journey meanders through the existing trees on the slope, the multi-purpose hall, grand staircase, the new gallery and the existing galleries. This design encourages spontaneous encounters with artworks, enriching visitor experience and fostering curiosity.

文物館新翼的特色“V”形支柱的設計，是源自建筑師對“傳承”的思考和理解。其中“承”字在中國文化中不單是代表承接和延續，同時也包含承托和支撐的意義。“V”形支柱能夠響應中華文化對于傳承二字的詮釋，寄予新館在未來對于文化創作，交流和教育的角色。同時“V”形支柱也是對羅桂祥所創立的維他奶（Vitasoy）飲品品牌的致敬。

The featured structural element implies the cultural concept of “承” (support) in Chinese culture. It is not only interpreted as passing on cultural values, but also symbolized the act of supporting and lifting up. The idea was then being developed into a V-shape column as a structural supporting element to echoes with the idea of cultural continuity. The V-shaped structure also subtly pay attribute to the donor Dr. Lo Kwee-seong, who established the ‘Vitasoy’ beverage brand.

新館外墻參考古人以“皴法”來描繪不同的質感，呈現山水之美的手筆，設計出獨特的模板，于清水混凝土墻展現出山水畫淡中有物、或深或淺、疏密有致的質感和紋理。

The fa?ade design references the Chinese landscape painting in a contemporary echo of the traditional technique of “cunfa”, which is the fading ink of texture strokes on the paintings to create the spatial depth of the trees, rocks and water. By adopting the fairface concrete construction, unique formworks with varying depths and densities of strokes were designed to be engraved on the building fa?ade to represent the textured traces of rocks on drawings.

新館的實用面積共1,770平方米，包括：特展展廳（利孝和陸雁群伉儷展覽廳）、咖啡店（Ideaology）、書店、藝術工作室、裝裱工作室、景色優美的空中花園。

With a usable floor area of 1,770 square meters, the new building comprises: a special exhibition gallery (Harold and Christina Lee Gallery), café (Ideaology), book shop, artist studio, mounting studio, and a rooftop with scenic views.

設計圖紙 ▽

完整項目信息

設計單位：嚴迅奇建筑師事務所（Rocco Design Architects）

設計年份：2019

完成年份：2025

地點：中國香港沙田

業主：香港中文大學

總建筑面積：約6,000平方米

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