設(shè)計單位? 如室建筑設(shè)計事務(wù)所

項目地點? 廣東深圳

建成時間? 2025年

項目規(guī)模? 224平方米

本文文字由設(shè)計單位提供。

“在以往所有的文明中，能夠在一代代人之后存下來的是物，是經(jīng)久不衰的建筑物。而今天，看到物的生產(chǎn)、完善和消亡的卻是我們自己。后物質(zhì)時代，人們的生活開始走向情感與精神世界。”

"In past civilizations, what endured across generations were objects – timeless buildings. Today, we witness the production, refinement, and demise of objects. In the post-material world, life increasingly focuses on emotion and spirit."

——讓·鮑德里亞《消費社會》

“福順小館”位于有著獨特文藝氣場和松弛氣質(zhì)的蛇口G&G，是一個約300平方米的低成本舊改加臨建項目，我們試圖在保留工業(yè)記憶與激活社區(qū)活力之間找到平衡，完成一場關(guān)于新舊對話、在地建構(gòu)與空間體驗的實驗。

Located in Shekou’s G&G – an area with distinctive artistic and relaxed character – Fushun Bistro is a low-cost renovation and temporary construction project covering approximately 300 sqm. It balances industrial memory preservation with community activation, serving as an experiment in old-new dialogue, local construction, and spatial experience.

一、場域精神

從“Grass and Glass”到“煙火與建構(gòu)”

G&G創(chuàng)意社區(qū)的前身——南星玻璃加工廠，承載著蛇口工業(yè)時代的集體記憶。以“Grass and Glass”（芒草與玻璃）為靈感錨點，將“草根精神”與“工業(yè)遺存”的張力轉(zhuǎn)化為空間敘事的主線。

G&G Creative Community occupies the former Nanshan Glass Factory, embodying Shekou’s industrial heritage. Using "Grass and Glass" as a conceptual anchor, the design transforms the tension between "grassroots spirit" and "industrial remnants" into its spatial narrative.?

舊建筑的外立面被完整保留僅做局部結(jié)構(gòu)修補，甚至包括上面的斑駁和涂鴉印記。兩座新舊建筑之間，一條刻意保留的狹窄樓梯成為空間敘事的核心——通過向上收窄的尺度與頂部天光引導，構(gòu)建出從工業(yè)廢墟到煙火社區(qū)的蛻變路徑。

The original facade was preserved with minimal structural repairs, retaining its patina and graffiti. A deliberately kept narrow staircase between old and new structures forms the narrative core – its tapering form and skylight guide visitors from industrial ruins to vibrant community space.

行走其間，溫潤的老木扶手、從螺紋鋼立柱滲入的碎片化街景，以及盡頭隱約傳來的餐具碰撞聲，共同編織出漸進式的空間韻律。

Aged wooden handrails, fragmented street views through steel columns, and distant tableware sounds create progressive spatial rhythm.?

新體量的輕盈介入：右側(cè)加建的玻璃房子以黑色鐵藝框架與波紋鋁板屋頂勾勒出輕盈輪廓，以現(xiàn)代材料重新詮釋傳統(tǒng)坡屋頂形制。波紋鋁板的工業(yè)感與老瓦片壁燈的溫潤形成對話，玻璃立面的通透性則消解了新舊體量以及園區(qū)的邊界，讓建筑成為連接歷史與當下的媒介。?

The new glass volume on the right features a black steel frame and corrugated aluminum roof, reinterpreting traditional sloped roofs with modern materials. Industrial aluminum panels contrast with warm tile wall lamps, while transparent glass dissolves boundaries between old/new structures and the surroundings.?

二、空間敘事

框景與煙火劇場

福順小館的改造拒絕“博物館式”的懷舊，轉(zhuǎn)而通過空間操作構(gòu)建動態(tài)的生活劇幕。以“窗”為媒介，將城市景觀、自然綠意與人間煙火編織成一張立體敘事網(wǎng)。?

Rejecting "museum-like nostalgia," the renovation creates dynamic living scenes through window design.?

舊建筑二層的窗景一開始便吸引了我們，在充分考察周邊環(huán)境的互文關(guān)系后，通過微調(diào)窗戶的位置和尺寸，以及在可借景處克制的增加了幾處窗口（從造價和結(jié)構(gòu)兩方面精確衡量）。

The view from the windows on the second floor of the old building immediately captured our attention. After thoroughly examining the dialectical relationship with the surrounding environment, we fine-tuned the positioning and dimensions of the windows, while cautiously adding a few openings at strategic viewpoints—with precise consideration given to both construction costs and structural integrity.

轉(zhuǎn)角懸窗：二樓轉(zhuǎn)角處的方窗將行道樹的枝葉框入室內(nèi)，隨四季更迭的動態(tài)畫幅模糊了建筑與自然的界限。?

Corner Window: Frames street tree branches, blurring architecture-nature boundaries across seasons.?

坡頂天窗：傾斜坡屋頂上的圓形天窗，將深圳多變的云影引入空間，暗合中式園林“借景”的智慧。?

Skylight: Circular opening introduces Shenzhen’s changing cloudscapes, echoing Chinese garden "borrowed scenery" principles.?

橫向長窗：打開舊建筑正立面，制造如同電影寬銀幕的水平長窗，將街巷的市井百態(tài)轉(zhuǎn)化為就餐者的“背景動畫”，形成內(nèi)外互動的戲劇性。

Horizontal Window:Widescreen-like frame turns street activity into diners’ "background animation," enabling inside-outside interaction.?

三、在地建構(gòu)

材料的記憶與重生

項目以“低技高感知”的材料策略，將廢棄物料轉(zhuǎn)化為建構(gòu)詩篇。?

A "low-tech, high-sensory" material strategy transforms waste into architecture:?

老木頭的溫度：從山東回收的老榆木成為墻面覆層、餐桌臺面與樓梯踏板。木材的裂痕與蟲蛀痕跡被刻意保留，與波紋鋁板、玻璃形成粗糲與精致的對話。

Reclaimed Elm Wood: Used for walls, tables, and stairs, with cracks and wormholes preserved to contrast with aluminum/glass.?

波紋鋁板的工業(yè)敘事：屋頂與局部立面采用的銀色波紋鋁板，既呼應(yīng)原玻璃廠的金屬記憶，又以當代語匯重構(gòu)傳統(tǒng)瓦屋面肌理。陽光照射下，鋁板產(chǎn)生的漫反射與玻璃房子的透明性形成虛實交響。?

Corrugated Aluminum:References the glass factory’s metal heritage while reimagining traditional roofing. Sunlight diffusion creates interplay with transparent glass.?

鐵藝與瓦片的轉(zhuǎn)譯：黑色做舊鐵藝框架以極簡線條勾勒傳統(tǒng)窗欞意象，而嵌入墻體的老瓦片壁燈則如同從廢墟中生長的光之雕塑，既延續(xù)了工業(yè)記憶，又賦予空間質(zhì)樸的溫度。

Steel and Tile Elements:Blackened steel frames suggest traditional windows; embedded tile lamps serve as "light sculptures" preserving industrial memory.

四、新舊共生

一場未完成的城市實驗

福順小館的改造拒絕“完美”的完成態(tài)。設(shè)計師有意保留施工過程中的偶然性痕跡：混凝土修補的色差、新舊墻體交接處的未封閉縫隙、洗手間外一顆歪脖子樹被小心又隨意的保留......這些“不完美”成為空間真實性的注腳，暗示著建筑始終處于動態(tài)演變的進程中。?

The design intentionally retains construction traces: color variations in concrete repairs, unsealed wall junctions, and a preserved slanted tree near restrooms. These "imperfections" reflect ongoing spatial evolution.?

更值得玩味的是，項目通過空間開放性激活社區(qū)參與：長窗外的行人成為就餐者眼中的風景，而餐廳內(nèi)的燈火與人影亦成為街巷的夜間劇場。這種雙向滲透的設(shè)計，讓建筑成為社區(qū)生活的“催化劑”。?

Spatial openness enables community engagement: passersby become part of the dining experience, while restaurant activity contributes to street life after dark.?

結(jié)語

廢墟之上，煙火生長

在“爆改”盛行的時代，福順小館提供了一種更具反思性的舊改范式：它不以顛覆歷史為代價，也不陷入符號化的懷舊敘事，而是通過理性精準的空間操作，讓新舊材料、記憶與功能在碰撞中產(chǎn)生化學反應(yīng)，最終呈現(xiàn)出一種接地氣的松弛。

Amidst trendy "extreme makeovers," Fushun Bistro offers a thoughtful renovation model. Through precise spatial interventions, it sparks dialogue between materials, memory, and function – creating grounded authenticity.

在這里，工業(yè)遺產(chǎn)不再是需要被瞻仰的標本，而是化作滋養(yǎng)日常生活的土壤——正如G&G社區(qū)的名字所隱喻的，芒草（Grass）在玻璃（Glass）廢墟中自由生長，而建筑，終將回歸服務(wù)于人的本質(zhì)。

Industrial heritage becomes daily-life infrastructure, like grass (Grass) growing through glass (Glass) ruins, returning architecture to human-centered purpose.?

技術(shù)圖紙 ▽

完整項目信息

項目名稱：福順小館

項目類型：建筑

項目地點：廣東深圳

建成狀態(tài)：建成

設(shè)計時間：2024.07-2024.09

建設(shè)時間：2024.10-2025.01

用地面積：154平方米

建筑面積：224平方米

設(shè)計單位：如室建筑設(shè)計事務(wù)所 Ruhaus Studio

主創(chuàng)建筑師：王藝儒

設(shè)計團隊完整名單：

李安、朱丹丹、黃駿科、彭小健、趙玉立、

照明：張漢華

施工：黃澤寬

業(yè)主：福順小館

攝影師：呂曉斌

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