設計單位? UUA建筑師事務所

項目地點? 湖北武漢

建成時間? 2025年

項目規模? 54,000平方米

本文文字由設計單位提供。

在武漢西南郊的丘陵地帶，坐落著千子山垃圾焚燒發電廠。其主廠房的建筑方案由UUA設計合伙人李泳征與管理合伙人李其郅共同主持。本項目中，建筑師以一種特有的視角介入到設計全程，探索并呈現了工業建筑的新可能性。

Located in the hilly terrain of southwest Wuhan suburbs sits the Qianzishan Waste-to-Energy Power Plant. The architectural design of its main facility was led by UUA Design Partner Yongzheng Li and Managing Partner Qizhi Li. In this project, the architects engaged the entire design process with a unique perspective, exploring and presenting new possibilities for industrial architecture.

01

背景：工業建筑的設計迭代

傳統的垃圾焚燒發電廠可理解為一個功能性產物，亦或是工程師產物，其廠房僅以滿足外圍護邊界為主要目的。在長期形成的慣性中，工業的生產過程與大眾的日常生活涇渭分明，而這兩者之間所蘊含的潛在關聯未能得到充分發掘。

Traditional waste-to-energy plants can be understood as functional or engineer-driven outcomes, with their structures serving merely as protective enclosures. Over time, industrial processes and public daily life have remained strictly separated, leaving their inherent connections underexplored.

不難理解，大眾對于工業生產是抱有好奇心的；同時，生產企業也希望敞開大門，增進大眾的了解、信任與支持。這種相向而行的力量，催成了建筑師團隊與工業設計院的工程師團隊的合作，使得工廠的形式與功能形成了雙向互動。為了整體的設計概念、美學效果和參觀流線，建筑師從內至外統籌空間布局，創造出更具美學價值和社會效益的工業建筑。

Public curiosity about industrial production coexists with manufacturers' desire to foster transparency, understanding, trust, and support. This mutual impetus drove the collaboration between UUA's architects and industrial engineers, creating a bidirectional interaction between form and function. To integrate holistic design concepts, aesthetic effects, and visitor circulation, the architects orchestrated spatial layouts from the inside out, crafting industrial architecture with enhanced aesthetic value and social significance.

02

概念：機器藝術的揭幕

“我們看待事物有不同的角度，機器是工具還是藝術，僅在一念之間。在本項目中，我們將機器視作凝聚人類智慧的藝術品，為其打造具有尊嚴的運行空間。”

——李泳征

"Perspective defines our interpretation—whether machinery is perceived as tools or art hinges on a shift in mindset. Here, we treat machines as artworks embodying human ingenuity, crafting dignified operational spaces for them."

—Yongzheng Li

機器是工業建筑的核心，它特有的功能與效率，理性與邏輯，集中展現了人類智慧，形成了一種獨特的美學體驗。基于這種“機器美學”的觀念，我們將發電廠的機器設備視作一組精美的“藝術品”。項目的設計概念受到“藝術品發布會”的啟發，當藝術品揭幕那一刻，人們的期待與興奮達到頂點。本項目在建筑形式上試圖營造這樣一種時刻。

Machines form the core of industrial architecture. Their functional precision, efficiency, rationality, and logic collectively manifest human intelligence, creating a unique aesthetic experience. Guided by this ‘machine aesthetics’ philosophy, we reinterpreted the plant's machinery as refined ‘artworks’. Inspired by the suspense of an ‘art unveiling ceremony’—when anticipation and excitement peak—the architectural form captures this climactic moment.

廠房上部的建筑表皮采用柔美動感的形式，猶如一張正在揭開的“帷幕”，將廠房內部的機器作為“藝術品”，透過清澈的玻璃幕墻展示給到訪的公眾。

The upper facade adopts a soft, dynamic form resembling a lifted ‘curtain’, revealing the internal machinery as ‘exhibits’ through transparent glass walls to visiting publics.

廠房主入口采用中軸對稱布局，并通過上寬下窄的收分處理，營造出一種儀式感，預示著即將進入機器的圣殿。

The main entrance features a symmetrical layout with tapered proportions, creating a solemn ceremonial feel as it leads into the ‘sanctuary of machines’.

03

細部：實現設計概念的技術路徑

“帷幕”位于廠房上部，采用點式玻璃幕墻體系，由上至下包含6個疊退的層次，水平方向為鱗片式玻璃板塊搭接，形成織物褶皺一般的肌理。“鱗片”材質選用淡綠色釉面玻璃，表面鍍有鏡面點陣涂層，通過強反射與弱反射的疊加，將周邊環境以“絲網印刷”的質感映襯在建筑表皮上，形成迷幻的光影。
The ‘curtain’ on the upper facade employs a bold fixed glazing system, cascading downward through six stepped layers. Horizontally overlapping scale-like glass panels create fabric-like folds. The ‘scales’ use pale green fritted glass with dot-matrix mirror coatings, superimposing strong and weak reflections to project surroundings onto the facade with a ‘screen-printed’ texture, generating psychedelic light interplay.

廠房裙房部分采用雙層表皮，兼顧開窗的靈活性與立面的整體性。內層表皮為氣候邊界，由波浪形鋁鎂錳板和玻璃幕墻組成，根據內部功能需求靈活開窗。外層表皮采用半鏤空式鋁板幕墻，滿足消防與通風需求，并以三角折板為基本單元，形成彎折起伏、明暗交替的節奏感，亦有織物一般的肌理。

The podium utilizes a double-skin facade balancing window flexibility and elevation integrity. The inner skin serves as a climate barrier with aluminum and glass curtain walls, incorporating functional requirements. The outer skin features semi-enclosed aluminum claddings meeting fire evacuation and ventilation needs. Triangular folded plates form rhythmic undulations with alternating light/shadow, echoing textile textures.

煙囪高度110余米，是整個廠區的制高點。其表皮采用四棱錐形的鋁板單元，并通過局部穿孔的方式，形成螺旋上升的線條，似乎具備了一種神圣的紀念性。

The 110-meter-high chimney, the site's pinnacle, is clad in quadrangular pyramid-shaped aluminum panels with localized perforations to create spiraling ascending lines, imbuing sacred monumentality.

04

結語：從服務生產到美化生活

在項目啟動的2019年之前，整個場地曾是一片生態退化、水土流失的廢棄采礦區。經歷5年的蛻變重生，這里成為華中地區最大的循環經濟產業園，更是對周圍自然環境產生了良好的反哺。

Before the project's 2019 commencement, the site was an ecologically degraded, eroded abandoned quarry. After five years of transformation, it has become Central China's largest circular economy industrial park, generating regenerative impacts on surrounding nature.

作為園區核心的主廠房建筑，其形式所反映的內核，是對固廢焚燒發電流程的開放性以及對工業機器美學的自信。建筑學價值觀的導入讓廠房與機器擁有了溫度，實現了工業建筑從“服務生產”到“美化生活”的躍遷。

As the park's centerpiece, the main plant's design reflects openness toward waste-to-energy processes and confidence in industrial machine aesthetics. By infusing architectural values, the facility and its machinery gain warmth, transcending industrial architecture from ‘serving production’ to ‘beautifying life’.

完整項目信息

項目名稱：武漢千子山垃圾焚燒發電廠

項目地點：武漢 . 湖北 . 中國

項目規模：54,000平方米

日處理量：3,000噸

項目業主：武漢千子山能源有限公司

項目年份：2019-2025

建筑設計：UUA建筑師事務所

UUA主持合伙人：李泳征，李其郅

UUA設計團隊：賀文博，王發路，呂延鋒，鄧亮，夏渤洋，馬興華

主體設計單位：中冶南方都市環保工程技術股份有限公司

主體設計單位主要負責人：聶永俊、姚明志、李敏、徐新宇、鄧小軍

主體設計單位主要完成人：馮永輝、葉智、郭健瑋、吳迪、徐嬌、陳抒、陳念

施工總包：中建三局集團有限公司

攝影：直譯建筑攝影

本文由UUA建筑師事務所授權有方發布。歡迎轉發，禁止以有方編輯版本轉載。